Easton Press Ernest Hemingway books
Death in the Afternoon - 1990
In Our Time - 1990
A Moveable Feast - 1991
The Sun Also Rises - 1991
A Farewell to Arms - 100 Greatest Books Ever Written - 2003
The Works of Ernest Hemingway (20 volume set) - 1992 including titles:
A Farewell to Arms
Men Without Woman
Death in the Afternoon
A Moveable Feast
Islands in the Stream
True at First Light
Across the River and into the Trees
The Snows Kilimanjaro
Green Hills of Africa
For Whom the Bell Tolls
By Line
The Old Man and the Sea
The Garden of Eden
In Our Time
Winner Take Nothing
The Fifth Column
The Dangerous Summer
To Have and Have Not
The Torrents of Spring
The Sun Also Rises
Franklin Library Ernest Hemingway books
A Farewell to Arms - 100 Greatest Books of All Time - 1975
The First 49 Stories - Collected Stories of the World's Greatest Writers - 1977
The Sun Also Rises - 100 Greatest Masterpieces of American Literature - 1977
For Whom the Bell Tolls - World's Best Loved Books - 1977
The First 49 Stories - 100 Greatest Masterpieces of American Literature - 1978
Stories of Three Continents - World's Best Loved Books - 1979
The Sun Also Rises - Greatest Books of the Twentieth Century - 1979
A Farewell to Arms - 100 Greatest Masterpieces of American Literature - 1980
The Old man and the sea - Pulitzer Prize Classics - 1985
Author Ernest Hemingway
Ernest Miller Hemingway, born on July 21, 1899, in Oak Park, Illinois, was an iconic American novelist, short story writer, and journalist. Known for his succinct and impactful prose, Hemingway became one of the most celebrated and influential literary figures of the 20th century. Hemingway's writing career began as a journalist, working for newspapers such as the Kansas City Star and the Toronto Star. His experiences as a young reporter and his time as an ambulance driver during World War I profoundly influenced his literary style and themes. In the 1920s, Hemingway became a key figure in the expatriate community of writers and artists living in Paris, often referred to as the "Lost Generation." His debut novel, The Sun Also Rises (1926), emerged from this period and depicted the disillusionment and moral bankruptcy of the post-World War I generation.
Hemingway's writing is characterized by a minimalist and economical style, often referred to as the "Iceberg Theory" or "Hemingway Code." He believed in conveying the deeper meaning through what is left unsaid, with a focus on dialogue and action. This approach is evident in his celebrated works such as A Farewell to Arms (1929), For Whom the Bell Tolls (1940), and The Old Man and the Sea (1952). In 1954, Hemingway was awarded the Nobel Prize in Literature for his mastery of the art of narrative. His ability to capture the essence of human experience, especially in the context of war, love, and adventure, earned him widespread acclaim.
Beyond his literary achievements, Hemingway was known for his adventurous and macho persona, reflected in his love for big-game hunting, fishing, and bullfighting. His life was marked by a series of marriages, travels, and friendships with other notable writers, including F. Scott Fitzgerald and Gertrude Stein. As Hemingway's career progressed, he struggled with mental health issues, compounded by physical injuries and the toll of his adventurous lifestyle. Sadly, on July 2, 1961, Ernest Hemingway died by suicide at his home in Ketchum, Idaho.
Ernest Hemingway's impact on American literature is immeasurable. His legacy endures through his timeless works, which continue to be studied, admired, and adapted for various forms of media. Hemingway's influence extends far beyond the literary realm, shaping the way writers approach storytelling and leaving an indelible mark on the cultural landscape.
Ernest Hemingway did more to change the style of English prose than any other writer in the twentieth century, and for his efforts he was awarded the Nobel Prize for literature in 1954. Hemingway wrote in short, declarative sentences and was known for his tough, terse prose. Publication of The Sun Also Rises and A Farewell to Arms immediately established Ernest Hemingway as one of the greatest literary lights of the twentieth century. As part of the expatriate community in 1920s Paris, the former journalist and World War I ambulance driver began a career that lead to international fame. Hemingway was an aficionado of bullfighting and big-game hunting, and his main protagonists were always men and women of courage and conviction, who suffered unseen scars, both physical and emotional. He covered the Spanish Civil War, portraying it in fiction in his brilliant novel For Whom the Bell Tolls, and he subsequently covered World War II. His classic novella The Old Man and the Sea won the Pulitzer Prize in 1953. He died in 1961.
A Farewell to Arms
The best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Hemingway’s frank portrayal of the love between Lieutenant Henry and Catherine Barkley, caught in the inexorable sweep of war, glows with an intensity unrivaled in modern literature, while his description of the German attack on Caporetto of lines of fired men marching in the rain, hungry, weary, and demoralized is one of the greatest moments in literary history. A story of love and pain, of loyalty and desertion, A Farewell to Arms, written when he was thirty years old, represents a new romanticism for Hemingway.
Set against the looming horrors of the battlefield the weary, demoralized men marching in the rain during the German attack on Caporetto; the profound struggle between loyalty and desertion this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep. Ernest Hemingway famously said that he rewrote his ending to A Farewell to Arms thirty-nine times to get the words right.
Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield weary, demoralized men marching in the rain during the German attack on Caporetto; the profound struggle between loyalty and desertion this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.
Ernest Hemingway famously said that he rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. This edition collects all of the alternative endings together for the first time, along with early drafts of other essential passages, offering new insight into Hemingway’s craft and creative process and the evolution of one of the greatest novels of the twentieth century.
For Whom the Bell Tolls
In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from "the good fight," For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving and wise. "If the function of a writer is to reveal reality," Maxwell Perkins wrote to Hemingway after reading the manuscript, "no one ever so completely performed it." Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.
Into this great new novel, nearly twice as long as "A Farewell to Arms," Ernest Hemingway has poured the fullness of his experience, the perfection of his art. A novel of wartime Spain, in which a young American and a Spanish girl live a lifetime of love and courage in four momentous days, it speaks with final and unforgettable power for the truth the truth of war and life in our time.
High in the pine forests of the Spanish Sierra, a guerrilla band prepares to blow up a vital bridge. Robert Jordan, a young American volunteer, has been sent to handle the dynamiting. There, in the mountains, he finds the dangers and the intense comradeship of war. And there he discovers Maria, a young woman who has escaped from Franco's rebels...
With Robert Jordan already behind the enemy lines on his dangerous mission to join forces with a band of Spanish men and women hidden in the mountains, and blow up a bridge that is essential to the great attack the story begins in the midst of the action. It moves forward with rushing swiftness and a compelling sense of reality to the moment when he must blow up the bridge the bridge on which the whole future of the human race can turn.
Before this crucial action Robert Jordan enters into the life of the men and women whose destiny he shares, who living at the edge of danger, come vibrantly alive, intimately known. There is Pilar, a great woman who has lived long and fully, brave, barbarously outspoken, yet warmhearted; and Pablo, her husband, a strong man at the start of the movement but now dangerously undependable. And there is Maria, a tawny, lovely Spanish girl who escaped the tortures of the fascists to find healing in her love for Robert Jordan. Their story becomes one of the most tender, passionately moving love stories ever written.
In these superbly real men and women sharing days of heightened excitement, deeper and richer experiences than most lifetimes hold Hemingway seems to have embraced all human experience, the conflict of life itself, not only martial but spiritual and emotional. All that he has written before including some of the greatest novels of our generation points toward the achievement of this work of art, a novel that carries the rare, perfected shine of enduring greatness.
The novel is regarded as one of Hemingway's best works, along with The Sun Also Rises, The Old Man and the Sea, and A Farewell to Arms.
'The best fictional report of the Spanish Civil War that we possess' - Anthony Burgess
The Sun Also Rises
Originally published in 1926, The Sun Also Rises is Ernest Hemingway’s first novel and a classic example of his spare but powerful writing style.
The quintessential novel of the Lost Generation, The Sun Also Rises (Fiesta) is one of Ernest Hemingway's masterpieces and a classic example of his spare but powerful writing style. A poignant look at the disillusionment and angst of the post-World War I generation, the novel introduces two of Hemingway's most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. It is an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions. First published in 1926, The Sun Also Rises helped to establish Hemingway as one of the greatest writers of the twentieth century.
Jake Barnes is a man whose war wound has made him unable to have sex—and the promiscuous divorcée Lady Brett Ashley. Jake is an expatriate American journalist living in Paris, while Brett is a twice-divorced Englishwoman with bobbed hair and numerous love affairs, and embodies the new sexual freedom of the 1920s. The novel is a roman à the characters are based on real people in Hemingway's circle, and the action is based on real events, particularly Hemingway's life in Paris in the 1920s and a trip to Spain in 1925 for the Pamplona festival and fishing in the Pyrenees.
It's the early 1920s in Paris, and Jake, a wounded World War I veteran working as a journalist, is hopelessly in love with charismatic British socialite Lady Brett Ashley. Brett, however, settles for no an independent, liberated divorcée, all she wants out of life is a good time. When Jake, Brett, and a crew of their fellow expatriate friends travel to Spain to watch the bullfights, both passions and tensions rise. Amid the flash and revelry of the fiesta, each of the men vies to make Brett his own, until Brett’s flirtation with a confident young bullfighter ignites jealousies that set their group alight.
An indelible portrait of what Gertrude Stein called the Lost Generation—the jaded, decadent youth who gave up trying to make sense of a senseless world in the disaffected postwar era— The Sun Also Rises, Ernest Hemingway’s beloved first novel, is a masterpiece of modernist literature and one of the finest examples of the distinctly spare prose that would become his legacy to American letters.
The Sun Also Rises stands as perhaps the most impressive first novel ever written by an American writer. A roman à clef about a group of American and English expatriates on an excursion from Paris's Left Bank to Pamplona for the July fiesta and its climactic bull fight, a journey from the center of a civilization spiritually bankrupted by the First World War to a vital, God-haunted world in which faith and honor have yet to lose their currency, the novel captured for the generation that would come to be called “Lost” the spirit of its age, and marked Ernest Hemingway as the preeminent writer of his time.
The Sun Also Rises is one of Ernest Hemingway's masterpieces and a classic example of his spare but powerful style.
Death in the Afternoon
Still considered one of the best books ever written about bullfighting, Death in the Afternoon is an impassioned look at the sport by one of its true aficionados. It reflects Hemingway's conviction that bullfighting was more than mere sport and reveals a rich source of inspiration for his art. The unrivaled drama of bullfighting, with its rigorous combination of athleticism and artistry, and its requisite display of grace under pressure, ignited Hemingway's imagination. Here he describes and explains the technical aspects of this dangerous ritual and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick." Seen through his eyes, bullfighting becomes a richly choreographed ballet, with performers who range from awkward amateurs to masters of great elegance and cunning.
A fascinating look at the history and grandeur of bullfighting, Death in the Afternoon is also a deeper contemplation of the nature of cowardice and bravery, sport and tragedy, and is enlivened throughout by Hemingway's sharp commentary on life and literature.
In Our Time
When In Our Time was published, it was praised by Ford Madox Ford, John Dos Passos, and F. Scott Fitzgerald for its simple and precise use of language to convey a wide range of complex emotions, and it earned Hemingway a place beside Sherwood Anderson and Gertrude Stein among the most promising American writers of that period. In Our Time contains several early Hemingway classics, including the famous Nick Adams stories "Indian Camp," "The Doctor and the Doctor's Wife," "The Three Day Blow," and "The Battler," and introduces readers to the hallmarks of the Hemingway style: a lean, tough prose enlivened by an car for the colloquial and an eye for the realistic that suggests, through the simplest of statements, a sense of moral value and a clarity of heart.
Now recognized as one of the most original short story collections in twentieth-century literature, In Our Time provides a key to Hemingway's later works.
The First 49 Stories
A collection of Hemingway's first forty-nine short stories, featuring a brief introduction by the author and lesser known as well as familiar tales, including 'Up in Michigan', 'Fifty Grand', and 'The Light of the World', and the Snows of Kilimanjaro, Winner Take Nothing' and Men Without Women collections.
Green Hills of Africa
Green
Hills of Africa is Ernest Hemingway's lyrical journal of a month on
safari in the great game country of East Africa, where he and his wife
Pauline journeyed in December 1933. Hemingway's well-known interest in
and fascination with big-game hunting is magnificently captured in this
evocative account of his trip. It is an examination of the lure of the
hunt and an impassioned portrait of the glory of the African landscape
and of the beauty of a wilderness that was, even then, being threatened
by the incursions of man.
A Moveable Feast
Hemingway's
memories of his life as an unknown writer living in Paris in the
twenties are deeply personal, warmly affectionate, and full of wit.
Looking back not only at his own much younger self, but also at the
other writers who shared Paris with him James Joyce, Wyndham Lewis,
Scott and Zelda Fitzgerald he recalls the time when, poor, happy, and
writing in cafes, he discovered his vocation. Written during the last
years of Hemingway's life, his memoir is a lively and powerful
reflection of his genius that scintillates with the romance of the city.
Men Without Woman
First
published in 1927, Men Without Women represents some of Hemingway's
most important and compelling early writing. In these fourteen stories,
Hemingway begins to examine the themes that would occupy his later
works: the casualties of war, the often uneasy relationship between men
and women, sport and sportsmanship. In "Banal Story," Hemingway offers a
lasting tribute to the famed matador Maera. "In Another Country" tells
of an Italian major recovering from war wounds as he mourns the untimely
death of his wife. "The Killers" is the hard-edged story about two
Chicago gunmen and their potential victim. Nick Adams makes an
appearance in "Ten Indians," in which he is presumably betrayed by his
Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young
couple's subtle, heartwrenching discussion of abortion. Pared down,
gritty, and subtly expressive, these stories show the young Hemingway
emerging as America's finest short story writer.
Islands in the Stream
First
published in 1970, nine years after Ernest Hemingway's death, Islands
in the Stream is the story of an artist and adventurer a man much like
Hemingway himself. Rich with the uncanny sense of life and action
characteristic of his writing from his earliest stories (In Our Time) to
his last novella (The Old Man and the Sea) this compelling novel
contains both the warmth of recollection that inspired A Moveable Feast
and a rare glimpse of Hemingway's rich and relaxed sense of humor, which
enlivens scene after scene.
Beginning in the 1930s, Islands in the
Stream follows the fortunes of Thomas Hudson from his experiences as a
painter on the Gulf Stream island of Bimini, where his loneliness is
broken by the vacation visit of his three young sons, to his
antisubmarine activities off the coast of Cuba during World War II. The
greater part of the story takes place in a Havana bar, where a wildly
diverse cast of characters including an aging prostitute who stands out
as one of Hemingway's most vivid creations engages in incomparably rich
dialogue. A brilliant portrait of the inner life of a complex and
endlessly intriguing man, Islands in the Stream is Hemingway at his
mature best.
True at First Light
Both a revealing
self-portrait and dramatic fictional chronicle of his final African
safari, Ernest Hemingway's last unpublished work was written when he
returned from Kenya in 1953. Edited by his son Patrick, who accompanied
his father on the safari, True at First Light offers rare insights into
the legendary American writer in the year of the hundredth anniversary
of his birth.
A blend of autobiography and fiction, the book
opens on the day his close friend Pop, a celebrated hunter, leaves
Ernest in charge of the safari camp and news arrives of a potential
attack from a hostile tribe. Drama continues to build as his wife, Mary,
pursues the great black-maned lion that has become her obsession.
Spicing his depictions of human longings with sharp humor, Hemingway
captures the excitement of big-game hunting and the unparalleled beauty
of the scenery the green plains covered with gray mist, zebra and
gazelle traversing the horizon, cool dark nights broken by the sounds of
the hyena's cry.
As the group at camp help Mary track her prize,
she and Ernest suffer the "incalculable casualties of marriage," and
their attempts to love each other well are marred by cruelty,
competition and infidelity. Ernest has become involved with Debba, an
African girl whom he supposedly plans to take as a second bride.
Increasingly enchanted by the local African community, he struggles
between the attraction of these two women and the wildly different
cultures they represent.
In True at First Light, Hemingway also
chronicles his exploits sometimes hilarious and sometimes poignant among
the African men with whom he has become very close, reminisces about
encounters with other writers and his days in Paris and Spain and
satirizes, among other things, the role of organized religion in Africa.
He also muses on the act of writing itself and the author's role in
determining the truth. What is fact and what is fiction? This is a
question that was posed by Hemingway's readers throughout his career and
is one of his principal subjects here.
Equally adept at evoking
the singular textures of the landscape, the thrill of the hunt and the
complexities of married life, Hemingway weaves a tale that is rich in
laughter, beauty and profound insight. True at First Light is an
extraordinary publishing event a breathtaking final work from one of
America's most beloved and important writers.
Across the River and into the Trees
A
poignant tale of a revitalizing love that is found too late the
fleeting connection between an Italian countess and an injured American
colonel inspires light and hope, while only darkness lies ahead.
In
the fall of 1948, Ernest Hemingway made his first extended visit to
Italy in thirty years. His reacquaintance with Venice, a city he loved,
provided the inspiration for Across the River and into the Trees, the
story of Richard Cantwell, a war-ravaged American colonel stationed in
Italy at the close of the Second World War, and his love for a young
Italian countess.
A bittersweet homage to love that overpowers
reason, to the resilience of the human spirit, and to the world-weary
beauty and majesty of Venice, Across the River and into the Trees stands
as Hemingway's statement of defiance in response to the great
dehumanizing atrocities of the Second World War.
The Snows Kilimanjaro
The
Snows of Kilimanjaro is a moving account of regret and redemption as
Harry, a writer and man in his prime, faces the unexpected. Dying slowly
of an infected wound while on safari in Africa, Harry reflects on his
privileged and decadent life, and confronts his failure of realize his
potential as a writer. This classic Hemingway short story was originally
published in Esquire magazine in 1936.
By-Line: Selected Articles and Dispatches of Four Decades
Spanning
the years from 1920 to 1956, this priceless collection of pieces
written by Hemingway ranges from articles for the "Toronto Star" and the
Hearst newspapers to popular magazines such as "Esquire, Collier's" and
"Look", and includes Hemingway's vivid eyewitness accounts of the
Spanish Civil War and World War II.
Winner Take Nothing
Ernest
Hemingway's first new book of fiction since the publication of "A
Farewell to Arms" in 1929 contains fourteen stories of varying length.
Some of them have appeared in magazines but the majority have not been
published before. The characters and backgrounds are widely varied. "A
Clean, Well-Lighted Place" is about an old Spanish Beggar. "Homage to
Switzerland" concerns various conversations at a Swiss railway-station
restaurant. "The Gambler, the Nun, and the Radio" is laid in the
accident ward of a hospital in Western United States, and so on.
Ernest
Hemingway made his literary start as a short-story writer. He has
always excelled in that medium, and this volume reveals him at his best.
The Fifth Column and Four Stories of the Spanish Civil War
Featuring
Hemingway's only full-length play, which like the stories here grew out
of his experiences in and around a besieged Madrid, this volume
brilliantly evokes the tumultuous years of the Spanish Civil War. These
works, which grew from Hemingway's adventures as a newspaper
correspondent in and around besieged Madrid, movingly portray the
effects of war on soldiers, civilians, and the correspondents sent to
cover it.
The Dangerous Summer
In the 1950s,
Hemingway and his wife return to Spain, where Hemingway had visited
before as a war correspondent to cover the Spanish Civil War, in order
to see friends and follow bullfighting events. Hemingway’s time in Spain
is most often remembered as his experiences with bullfighting, his
passion often conveyed through his writing. He and his wife follow
summer-long series events and witness the complexities and danger within
the bullfighting community.
In this vivid account, Hemingway
captures the exhausting pace and pressure of the season, the camaraderie
and pride of the matadors, and the mortal drama as in fight after fight
the rival matadors try to outdo each other with ever more daring
performances. At the same time, Hemingway offers an often complex and
deeply personal self-portrait that reveals much about one of the
twentieth century's preeminent writers.
To Have and Have Not
To
Have and Have Not is the dramatic story of Harry Morgan, an honest man
who is forced into running contraband between Cuba and Key West as a
means of keeping his crumbling family financially afloat. His adventures
lead him into the world of the wealthy and dissipated yachtsmen who
throng the region, and involve him in a strange and unlikely love
affair.
Harshly realistic, yet with one of the most subtle and moving
relationships in the Hemingway oeuvre, To Have and Have Not is literary
high adventure at its finest.
The Torrents of Spring
First
published in 1926, The Torrents of Spring is a hilarious parody of the
Chicago school of literature. Poking fun at that "great race" of
writers, it depicts a vogue that Hemingway himself refused to follow. In
style and substance, The Torrents of Spring is a burlesque of Sherwood
Anderson's Dark Laughter, but in the course of the narrative, other
literary tendencies associated with American and British writers akin to
Anderson such as D. H. Lawrence, James Joyce, and John Dos Passos come
in for satirical comment. A highly entertaining story, The Torrents of
Spring offers a rare glimpse into Hemingway's early career as a
storyteller and stylist.
The Garden of Eden
A sensational bestseller when it appeared in 1986, The Garden of Eden is the last uncompleted novel of Ernest Hemingway, which he worked on intermittently from 1946 until his death in 1961. Set on the Côte d'Azur in the 1920s, it is the story of a young American writer, David Bourne, his glamorous wife, Catherine, and the dangerous, erotic game they play when they fall in love with the same woman.
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